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The first edition of Berlin New Media Week (BNMW) begins on September 3rd with an audiovisual launch night at the immersive Studio1111. The evening features three international acts working across sound, image, and performance — each presenting new ways of thinking about technology’s role in art and experience.
TRANSONIC is a Berlin-based audiovisual duo formed in 2021 by architect and new media artist Rahul Sharma and sound artist Daniel Rudolf. Working at the intersection of spatial design, digital aesthetics, and sonic experimentation, their performances create immersive, site-responsive environments where sound and visuals exist in continuous dialogue.
Together, TRANSONIC emphasize liveness and improvisation, weaving responsive audiovisual experiences inspired by the energy of the space and audience.
Ninon is a musician, producer, and sound artist working between industrial techno, experimental music, and generative systems. Her music combines concrete textures, cinematic atmospheres, and disembodied voices, shaped through live composition and a physical relationship to machines. Alongside her artistic work, she is a researcher in artificial intelligence applied to music.
She joins Victor Calvi (Stigmates), a digital media artist, musician, and live performer whose work oscillates with perceptual thresholds, combining striking lighting and evolving forms through both convergence and rupture. With a background in Fine Arts from Marseille, Victor has developed his practice through exhibitions, club contexts, and residencies in London, Liverpool, and Paris (Ugly Duck, Static Complex, Phantom Bercy).
Pauric Freeman is a multidisciplinary artist based in Dublin, working across audiovisual performance, generative video, sound, and installation. His practice explores translation as a process, using data collected from live instruments as the basis for real-time visual compositions. Moving beyond representation, his work examines how one system of meaning can be distorted or expanded through another.Best known for his use of modular synthesizers, drum machines, and custom visual systems, Freeman’s recent project Structures (2024), was funded by the Arts Council of Ireland, investigates shifting relationships between sound and image in live contexts.